jazparkinson:

wnycradiolab:

Color signatures of novels’ visual content by Jaz ParkinsonMore.  Looks like it may be possible to order prints, and even make requests! 

(I just finished reading The Road and I can’t believe there is even THAT much color.)

You have all made my life. These are my colour signatures, an ongoing collection which are basically graphs of all the visual content in the books. For example when it might say ‘yellow brick road,’ ‘yellow’ gets a tally, or when for example in The Road it says ‘dark ash covered everything’ (not an actual quote), that image evokes dark grey instantly in the mind, so dark grey gets a tally. They are then ordered into a spectrum and drawn up, so the result is a surprise to me until it is done. I was shocked at The Road as well! A lot of the colour is fire, and when they finally find some food the book describes ‘juicy glistening peaches,’ which is so visual after pages and pages of grey.

A2 Prints on gorgeous enhanced matte are available, and I am more than willing to take a request to add to the collection.

Thanks for all your support! Love you guys.

Jaz

janehu:

All I want to do is talk about Shane Carruth these days — BUT, can we take a moment and appreciate Michel Foucault’s hair? (As pointed out by Lindsey, “it never occurred to me that foucault once, you know, had hair. but he did. my world. rocked.”)

janehu:

All I want to do is talk about Shane Carruth these days — BUT, can we take a moment and appreciate Michel Foucault’s hair? (As pointed out by Lindsey, “it never occurred to me that foucault once, you know, had hair. but he did. my world. rocked.”)

powered by hate: BIOSHOCK INFINITE AND THE TERRIBLE CASE FOR BANNING ALL WHITE PEOPLE FROM GAMES JOURNALISM

designislaw:

Kirk Hamilton, Erik Kain, Benjamin Popper, Michael Abbott, and hell, the rest of mainstream games journalism out there, stop embarrassing my race. You fucks, you sick fucks. I’ve never been more disgusted with games “journalism” and “criticism” in my life until lately, with the release of…

educatedmice:

Fuck yeah.

educatedmice:

Fuck yeah.

(Source: rawrxja)

The Wretched of the Earth: doveilmiosoldi: i really really strongly despise academics who...

doveilmiosoldi:

i really really strongly despise academics who perceive themselves as leftists, activists, etc who refuse or are otherwise incapable of making their dialogue and interventions accessible

like if you can’t give a definition of what you mean by the term ideology without…

(Source: nitanahkohe)

homosexualtendencies:

I may be late on this but has anyone else noticed the female bands/female fronted bands homages Marceline and The Scream Queens covers make?

IT’S GORDON COLE

IT’S GORDON COLE

scanzen:

Circular Bridge, Mt. Lowe Railway, Detroit, Mich. Detroit Photographic Co., 1901.
Source: Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library

scanzen:

Circular Bridge, Mt. Lowe Railway, Detroit, Mich. Detroit Photographic Co., 1901.

Source: Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library

Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations.

Yet the old time fairy tale, having served for generations, may now be classed as “historical” in the children’s library; for the time has come for a series of newer “wonder tales” in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incidents devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident.

Having this thought in mind, the story of “The Wonderful Wizard of Oz” was written solely to please children of today. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.